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Difference Between Drop Frame and Non-Drop Frame and How It Affects Closed Captions & Subtitles

  • If you are using a SMPTE-based caption format, then you may need to take into consideration some frame rate settings. SMPTE-based captions are most commonly needed for the digital distribution of broadcast media.

    What Is SMPTE Timecode?

    SMPTE timecode is a standard for labeling frames of video or film. The standard was developed and defined by the Society of Motion Picture and Television Engineers (hence the name SMPTE) and allows for accurate editing, synchronization, and identification of media. SMPTE timecode appears as hour:minute:second:frame (for example, one hour would be written as 01:00:00:00). The frame rate is derived directly from the data of the recorded medium: in other words, the frame rate is inherent to the media, and can differ for film vs. digital, video vs. audio, and color vs. black and white.

    Frame rate is important for SMPTE timecode because it dictates how many frames per second (fps) appear in the media. The final part of the SMPTE timecode reflects the frame number; this number can only go as high as the frame rate. For instance, if your frame rate is 29.97 fps, the timecode after hh:mm:01:29 would be hh:mm:02:00. The following chart reflects the frame rate standards developed by SMPTE (as well as the European standards developed by the European Broadcasting Union, EBU):

    SMPTE (Society of Motion Picture and Television Engineers)
    29.97 fps NDF Color 60Hz Non-Real Time
    29.97 fps DF Color 60Hz Real Time
    30 fps NDF Black & White 60Hz Real Time
    59.94 fps NDF Color HD 60Hz Non-Real Time
    59.94 fps DF Color HD 60Hz Real Time
    60 fps NDF Color HD 60Hz Real Time
    EBU (European Broadcasting Union)
    25 fps NDF Color 50Hz Real Time
    50 fps NDF Color HD 50Hz Real Time
    Film
    24 fps NDF Color N/A Real Time
    23.98 fps NDF Color HD 60Hz Non-Real Time

    A slower frame rate creates more of a jump between frames, and allows the eye to interpret action and motion more than it can with higher frame rates.

    The Origins of Drop Frame Timecode

    Originally, black and white video ran at 30 fps. When color video was introduced, the frame rate slowed to 29.97 fps to allow color television to run on black-and-white receivers. This created a disparity between real time and video time, as a fraction of a frame cannot be produced in one second. This means that for every 100 seconds, there will be 2997 frames instead of 3000, creating a lag between video time and real time. For example, after 60 real-time minutes, a video playing at a frame rate of 29.97 fps will only read 00:59:56:12.

    To alleviate this disparity, drop frame (DF) timecode was introduced in an attempt to make 29.97 fps video indicate real time. DF does not actually remove any frames from your video; instead, it effectively drops a frame number every time the remaining .03 of a frame adds up to a full frame (once every 33.33 seconds). In one hour, the difference between a 30 fps video and a 29.97 fps video is 108 frames. So, within that hour, DF video removes 108 frame numbers so that a 29.97 fps video will finish at 01:00 instead of 00:59:56:12. Two frame numbers are removed per minute, except every 10th minute, to make the video 108 frames shorter, allowing the video to end in real time. 29.97 fps DF timecode will end up looking like this:

    Drop Frame Time Code Removes Two Frame Numbers Per Minute, Except Every 10th Minute

    Drop Frame vs. Non-Drop Frame Captions

    Not all 29.97 fps video is drop frame. Some video is non-drop frame (NDF), which means that the timecode does not account for the difference in video time vs. real time. If you are captioning your video, it is important to know whether your video file is drop frame or non-drop frame so that your captions are accurately synched with the timing of the media. At the end of a real-time hour, a DF video will have run 01:00, while at the end of a real-time hour, a NDF video will have run 00:59:56:12. If you caption a DF video with NDF captions, the captions will not be synched with the video and will get more and more out of sync as time goes on.

    NDF files are written with all colons (hh:mm:ss:ff) while DF files are written with either a semi-colon or a period between the seconds and frames (hh:mm:ss;ff or hh:mm:ss.ff).

    How to Download Captions with the Correct Frame Rate Settings

    For captioning, you must determine the frame rate of your video timeline. For the digital distribution of TV and film, your frame rate will most likely be 29.97 fps. Next, you must determine whether your project’s timeline is DF or NDF, so the timing of your captions matches the run time of your video. You should also note the starting timecode of your video file.

    Log in to your 3Play Media account, select your file, and click Download. You will be prompted to select caption file formats. Caption formats with asterisks next to them are SMPTE-based caption formats that include timecode and frame rate options. Click Next. If you have selected a SMPTE-based caption format, you will see the option to edit your SMPTE settings. Set the starting timecode of your file and select the appropriate frame rate from the Frame Settings dropdown. Click Next and download your caption files!

    How to Change Your Frame Rate Settings in the 3Play Media Account System

One Response to Difference Between Drop Frame and Non-Drop Frame and How It Affects Closed Captions & Subtitles

  1. Dave Kennedy says:

    Edited a 23.98 vid that needs converting to 29.97. The 29.97 time must be 56:46. I just can’t seem to find a solid calculator to figure this conversion out. Any recommends. I have quite a bit of text and it needs to go to Color Correction house next week. Piece is for PBS. Thank you for your consideration.

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